LiTraCon

Light Transmitting Concrete.

Losonczi Áron   
Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron
Cooperation   
Cooperation   Cooperation   Cooperation   Cooperation   Cooperation   Cooperation

↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon

Light Transmitting Concrete.

Losonczi Áron   
Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron
Cooperation   
Cooperation   Cooperation   Cooperation   Cooperation   Cooperation   Cooperation

↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon

Light Transmitting Concrete.

Losonczi Áron   
Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron
Cooperation   
Cooperation   Cooperation   Cooperation   Cooperation   Cooperation   Cooperation

↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon

Light Transmitting Concrete.

Losonczi Áron   
Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron
Cooperation   
Cooperation   Cooperation   Cooperation   Cooperation   Cooperation   Cooperation

↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon

Light Transmitting Concrete.

Losonczi Áron   
Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron   Losonczi Áron
Cooperation   
Cooperation   Cooperation   Cooperation   Cooperation   Cooperation   Cooperation

↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.