
LiTraCon
Light Transmitting Concrete.
↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon
Light Transmitting Concrete.
↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon
Light Transmitting Concrete.
↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon
Light Transmitting Concrete.
↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.

LiTraCon
Light Transmitting Concrete.
↓ After graduating as an architect in Budapest in 2001, I didn’t want to sit in an architecture studio; I was at a loss what to do with myself. ↓ So I ‘fled’ to Stockholm on a scholarship to the postgraduate architecture training at The Royal Institute of Art, started working on the theme of “glass in architecture”. ↓ By the end of the first year, I created the first prototype of LiTraCon. ↓ The Swedish government continued to support my work with a grant and covered the first patent fee for translucent concrete. ↓ In 2003, I decided to return to my hometown in Csongrád, Hungary. ↓ The Swedish Centre for Architecture and Design asked me to showcase the translucent concrete at an exhibition. ↓ A human-sized wall piece created in my workshop in Csongrád was first exhibited in Stockholm and since then at the permanent exhibition of the National Building Museum in Washington. ↓ In the following years, several of my projects were realized worldwide, and the invention received numerous prestigious awards. ↓ LiTraCon is still an active company, but I dedicate more and more time to our family winery, which I took over eight years ago. ↓ I increasingly see myself returning to architecture, but only for projects that bring me joy.